It’s hard to believe it’s already been over 10 years since we set up our first office in the 2nd bedroom of our apartment in the big house at the top of the hill on German Street in Shepherdstown, WV. There have been a lot of highs (our Target gift card, recently published books), a lot of lows, and a lot of cups of coffee and tea in between!
One thing has been consistent so far: ya gotta just keep pursuing good quality work, no matter what job you’re on or how much you’re getting paid.
That’s a big part of this now-famous art school graduation speech by Neil Gaiman, which we want to share with you in case you’ve never heard it! We discovered it in 2013 and still look to it for inspiration. This 20 minutes of advice for artists is just as relevant today as it was 7 years ago, and it’ll stay relevant for the next 77 years!
(We’ve included a full transcript after the jump in case you’ve watched it 50+ times like us and want a fresh way of taking it in…)
Hey guys! Today we’re featuring a handful of whimsical illustrations from a beginner piano exercise book in our inspiration collection. This is one of those pieces that would have completely flown under the art radar during its time, but now is a fantastic resource in nearly 50 pages of spot illustrations and 1/4–1/2 page scenes.
There’s no publication date in the book, but the student’s certificate is dated March 1970, so the credited illustrator Ernest Kurt Barth would have completed the work towards the end of the 60’s. There’s plenty of detail to admire in the ornamented cartoony execution, but look beyond the linework and you’ll notice some really pleasing, well-balanced shapes.
(By the way, she did finish the course and get her certificate. Go Kathy!)
Old vinyl records are an absolutely fantastic resource for illustration and lettering inspiration! We recently culled our collection down to the essentials, and though we’ve never actually listened to this particular album, it made the cut because of the illustration on the cover. (Come on, surely we’re not the only ones who do this!)
A couple of notes on why it’s awesome:
• The regional symbols are beautifully stylized: 2–3 colors, simple shapes. The choices are interesting, too! Some agriculture, some natural landmarks, and one building for the NY area.
• The map shapes are so much fun! They’re drawn with just enough accuracy to be recognizable, but the outlines have been smoothed over and skewed. Especially check out the curves and points of the southern border of Texas, combined with that drop shadow—YUM.
• The cut-and-paste map is a really nice way of breaking up the standard layout and creating dynamic shapes. It makes you look twice, whereas a normal map is so familiar that it would only get a quick once-over.